Romain Carré’s work explores the idea of objectivity through a multidisciplinary practice. He poetises the human pursuit of a perception beyond itself. With a background at the crossroads of art and science, his research touches on the very foundations of knowledge, revealing the fragility of discourse at the edges of the observable world.
His projects embrace, without hierarchy, worlds, life, physics, and realities, shifting Western concepts of Phusis, Nature, and environment. His landscapes, conceived as moving scenes, are in constant recomposition; they multiply perspectives, interweave scales, and reveal a single interdependent entity. His sculptures follow a non-referential logic: organisms where synthetic materials, biological resources, living and inert elements merge with digital and fictional entities.
Within this universe, each work becomes a site of composition, where humans, matter, living beings, and artefacts intertwine as equals. They materialise a vision of the continuum, where every being participates in a shared atmosphere. Thus, Romain Carré’s practice does not seek to represent the world, but to replay its sensory experience, within a network where everything exists through and with everything else.
Romain Carré graduated in 2021 from the Istituto Universitario di Architettura in Venice, and from the Paris Observatory with highest honours. His work has been presented in Switzerland and abroad in several institutions, including Galerie du Crous, FR; Bissone Arte ‘22, CH; the Bonifacio Biennale, Corsica; the Agnès b. Endowment Fund, FR; Palazzo Ca’Tron, IT; the Regional House of Architecture of the Pays de la Loire; and Théâtre de la Ville de Paris, FR.
Born in 1997 in Corsica, Romain Carré lives and works in Lausanne, Switzerland.